<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Courier</title>
	<atom:link href="http://www.prepressure.com/fonts/interesting/courier/feed" rel="self" type="application/rss+xml" />
	<link>http://www.prepressure.com</link>
	<description>Prepress, printing, PDF, PostScript, Fonts and stuff...</description>
	<lastBuildDate>Fri, 10 Feb 2012 16:14:30 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
	<item>
		<title>By: Tim Francis</title>
		<link>http://www.prepressure.com/fonts/interesting/courier#comment-64343</link>
		<dc:creator>Tim Francis</dc:creator>
		<pubDate>Mon, 18 Oct 2010 16:51:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.prepressure.com/?page_id=635#comment-64343</guid>
		<description>&quot;Apparently Hollywood screenplays are often written in 12 point Courier.&quot; 

Not often, Courier 12 is the only font the studios accept: It relates to the length of a film, one page of action equals one minute of screen time. Thus a studio can quickly evaluate if a new work is the &quot;right&quot; length, the target is usually 120 pages or 120 minutes. Additional checks are made for the Act One/Act Two boundary, and Act Two/Three boundary, Page 45 etc. 

If a script gets ticked off on these points, the film is then passed through to the readers for evaluation (ie, read). Not a foolproof system but screening out thousands of poorly prepared works needs a system. 

Courier 12 is right at the heart of that system.</description>
		<content:encoded><![CDATA[<p>&#8220;Apparently Hollywood screenplays are often written in 12 point Courier.&#8221; </p>
<p>Not often, Courier 12 is the only font the studios accept: It relates to the length of a film, one page of action equals one minute of screen time. Thus a studio can quickly evaluate if a new work is the &#8220;right&#8221; length, the target is usually 120 pages or 120 minutes. Additional checks are made for the Act One/Act Two boundary, and Act Two/Three boundary, Page 45 etc. </p>
<p>If a script gets ticked off on these points, the film is then passed through to the readers for evaluation (ie, read). Not a foolproof system but screening out thousands of poorly prepared works needs a system. </p>
<p>Courier 12 is right at the heart of that system.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

<!-- Dynamic Page Served (once) in 0.329 seconds -->

