1950 – 1959

1950

The A.B. Dick 350 is a small one color printing press which will remain in production in the US until 1986. This duplicator creates the business of quick printing.

A.B. Dick 350 small offset press

1951

The first drupa trade show is held in Dusseldorf, Germany. drupa, which stands for ‘Druck und Paper’ (print & paper), is a specialist trade fair for the printing industry.

Drupa 1951

The Original Heidelberger Tiegel printing press is one of the highlights. Offset presses like the Roland Parva and Roland Ultra are demonstrated.
Roland Parva
At the same show, five different models of Monotype and Linotype typecasting machines are on display. During the fifties, there are worldwide over 100,000 Linotypes in use. The image below shows the Linotype Model 31.

The Photon 200 composer is launched that same year. This keyboard based composer can output 16 fonts in sizes from 4 to 72 points. It is used for typesetting advertising texts for newspapers and for complex commercial printing jobs. The image below shows how this opto-mechanical device works. Light flashes generated by a strobe (not shown, to the right) pass through a rotating font disk containing all the characters of a font in reverse. To output an ‘M’ the system waits until the ‘M’ character on the rotating disk is in front of the flash, then the flash goes off and the disk only lets the light shaped in the form of that ‘M’ character through. This light goes through the lens turret that reduces or magnifies the character to the required type size. The light then gets deflected by a prism onto photographic paper. The optical system then moves to the right and the process is repeated to image the next character. Once an entire line has been photoset that way, the roll of photographic paper advances a bit so the next line can be imaged. Once an entire column of text has been imaged, the container holding the photographic paper is taken out of the machine and chemically developed in a darkroom.

Photon 200 diagram

Dr.-Ing. Rudolf Hell GmbH develops the Klischograph, an electronic engraving machine for producing letterpress printing plates.

1953

The Wonderful World of Insects is the first book that is completely typeset using a Lumitype.

The Wonderful World of Insects - first phototypeset book

Only a few script typefaces are mentioned on this site, but Mistral could not be overlooked. It is designed by Roger Excoffon, who based it on his own handwriting. In lowercase it is a true connecting script, similar to cursive writing.

Mistral typeface example

 

1954

The Quincy Patriot Ledger is the first American newspaper that invests in photocomposition by installing Lumitype-Photon 200 systems. The machines, of which the output unit is equipped with a punch tape reader, glass type disks, and 12 lenses, are said to be three times more productive than hot-metal linecasters.

The Mergenthaler Linotype Company demonstrates a pre-production version of the Linofilm type-composing machine. The Linofilm consists of two parts, one containing a keyboard hooked up to a device to write punched tape, the other being the output unit. This unit contains a set of glass plates with a matrix of 88 characters inscribed on them. To compose text, characters from such a plate are exposed using an optical system that includes a shutter. This shutter, similar to the one used in the lenses of today’s digital cameras, consists of very thin, overlapping metal blades. Instead of always opening at the same point at the moment of exposure, it opens at the position of one of the characters on the glass plate. This mechanism is capable of producing 12 characters per second or 43,200 per hour. Optional units are available to still do text corrections on the punched tape and to increase the available font sizes up to 100 points.

3M introduces the Color Key overlay proofing system.

The second drupa fair is a major success with 226388 visitors during 16 days. The show highlights are engraving machines for letterpress printing. Grapha, which is now known as Muller Martini, exhibits its first fully automatic saddle stitcher with an in-line trimmer.

Addressograph-Multilith introduces the Multi-1250 press. Together with the AB Dick 350, it will dominate the small offset (duplicator) market in the years to come.

The Multi 1250 offset printing press from the mid '50s

1955

Howard Kettler designs the Courier typeface for IBM. It is originally used for their typewriters but eventually also gets shipped with operating systems, such as Microsoft Windows 3.1, and with many RIPs.

Courier New Regular

Linotype typesetting in a newspaper in Norwich, England.

Linotype typesetting

1956

The picture below shows the cutting edge technology of the day: a 5 MB IBM hard disk is shipped to a customer.

Shipping a 5 MB hard drive

1957

The Univers typeface, designed by Adrian Frutiger and marketed by Deberny & Peignot and Monotype, is one of the first commercially successful fonts that was initially designed for use on Photon photocomposition machines.

Univers typeface example

Below you see the typeface on a Lumitype-Photon font disc.

Photon Lumitype font disc

Another classic typeface from that same year is Helvetica, created by Max Miedinger with input from Eduard Hoffmann. In the example below the reworked version from 1983 is used.

Neue Helvetica typeface example

Letraset starts marketing dry transfer letters.

The Heidelberger Zylinder 54 x 72 cm is the bestselling book printing press of Schnellpressenfabrik AG Heidelberg.

Heidelberger Zylinder 54x72 cm offset press

Press manufacturer Harris-Seybold merges with Intertype Corporation. Harris-Intertype Corporation manufactures hot metal linecasters such as this Monarch from 1978.

The Monarch linecaster

Russell Kirsch makes the first digitized photo by creating a 176×176 pixel scan of a photograph of his three-month-old son. The computer used wasn’t capable of storing more information.

scan of a photograph by Russel Kirsch

1958

H. Berthold AG, a German company, introduces its first typesetting equipment. The Diatype is a desktop-sized machine for setting headlines and short pieces of text. By moving a trigger on the front of the machine the operator can select characters from its glass font master disc. The system is nicknamed the ‘duck-shooter’ in the UK. Typesetting equipment gets a lot of attention during the drupa 1958 show.

The Diatype was a small cold type machine for setting headlines

Another drupa novelty is the Hell Colorgraph, a flatbed system to scan and correct photographs. With a resolution of 500 ppi a 30 by 40 centimeter scan can take hours.

Due to the success of their Roland presses the Franken & Schleicher factory is renamed to ‘Roland Offsetmachinesnfabrik Franken & Schleicher‘.

The Optima typeface, designed by German typeface designer Hermann Zapf between 1952-1955, is released. It becomes an instant success.

Optima Roman

1959

The Lumizip 900 sets a new speed record by imaging 200 to 600 characters per second or more than 2,000,000 per hour. It reads the text off a magnetic tape. The first book composed with a Lumizip is the ‘Index Medicus’, which is imaged in 12 hours. Producing the same book on a tradition Linotype would have taken almost a year!

Visual Graphics Corporation (VGC) introduces the Photo Typositor, which was invented by Murray Friedel. This phototypesetting machine is used for setting display type, such as large headlines or text on posters. This machine and its successors, models 3000, 3100 & 3200, remain popular for over two decades. The picture below shows the phototypositor 3200 from the collection of the Museum of Printing Arts in Leipzig.

Phototypositor 3200

 

The Haas Type Foundry in Switzerland releases the Helvetica font, designed by Max Miedinger and Edüard Hoffmann. Within a few years, this becomes one of the most popular typefaces of all times. The sample below is from the slightly reworked Helvetica Neue 55.

Helvetica Neue 55 font

1900-194960s>

28 August 2017

6 responses to “1950 – 1959”

  1. Brad says:

    I guess I should have added that he purchased it used sometime in the late 50s. He was able to buy it because the company he worked for was buying new equipment.

    Brad

  2. Brad says:

    Hi,

    I’m trying to track down the brand of printing press that my dad used to use back in the late 50s and early 60s. All I know is it was an offset printing press, that was around 5′ to 6′ long, paper was loaded on the right end of the machine and inks were smeared on rollers in the upper middle/right of the machine. I’ve looked at some AB-Dick machines and the are at least similar in design but I dont think it was an AB-Dick machine. If I ever see a picture of it I will definitely recognize it.

    Any suggestions on how to proceed?

    Thanks,

    Brad

    • gasjr4wd says:

      odds are it was a MULTILITH 1250. they seemed to be in every place. however, your description could be just about any small offset duplicator.

  3. Charles Sweitzer says:

    I have worked on Photons most of life in the printing business and now starting to collect printing history

    Thanks
    Charles Sweitzer

    • Douglas Micklon says:

      I started working for Photon April 1, 1968 in Wilmington, MA. I would be interested in learning about any information that you have about Photon.

  4. Linda Smith says:

    I was wondering if you would know of any printing history collector that would like to have 2 photon glass discs? They look like the ones in your 1957 picture. Thanks,

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